植物生態文學研讀班第二場:木麻黃與植物的不可測量性

獲科技部人社中心經費補助之”植物生態文學”研讀班第二場活動,即將於11月13日(週六)上午10:00-12:00線上舉行,研讀主題為「  木麻黃與植物的不可測量性    」。導讀人為金門大學應用英語學系吳唯邦副教授,主持人為國立政治大學英語學系許立欣副教授  。歡迎踴躍報名參加。

※本次活動報名將於11/06截止。
※此次在google meet上進行線上讀書會,將於11/12寄會議連結給報名者。
【活動時間】: 11/13(六)10:00-12:00
【活動地點】:線上進行
【報名網址】:https://forms.gle/wNpFdiZjWpVyyHNP8

研讀主題: 
 木麻黃與植物的不可測量性
主講人:吳唯邦(國立金門大學應用英語學系副教授)
主持人:許立欣(國立政治大學英語學系副教授)
閱讀文本:On Nonscalability: The Living World Is Not Amenable to Precision-Nested Scales
摘要
  安清(Anna Tsing)的「不可測量性」(nonscalability)相關理論說明在謀求進步無止境的世界構建(world-making)進程中,規模化(scalability)強調高度精密,推展出統一規格、完全量化的產能擴充模式。這種高度支配的生產模式以規格管理為設計原型,排除自然界異質生命的生成與演進。規模化精密生產以犧牲多物種關係及控制生命變化為代價,使人類透過計畫程序,高速擴張規模、佔領、殖民。在各種擴張計畫之後,人類造成的廢墟(anthropogenic ruins)成為遺留的副產品。荒蕪之中,形態迥異且無法測量(nonscalable)的多物種群體卻能再生滋長共衍的空間。
  本次演講引用清氏理論,旨在闡述金門木麻黃如何體現環境變動力,在人為廢區中發揮轉換作用,成為戰後重建的基本物質。1950冷戰時期,軍事設施和無處不在的木麻黃成為金門的日常風景。1990逐步解除戒嚴後,木麻黃連同軍事基地規模急劇縮小。我強調木麻黃於時空轉變之間的跨規模效應,曾經數量龐大的木麻黃依然潛伏在小島四處,成為轉化金門人文地景的自然力,並持續改變金門生態。本次演講研讀吳鈞堯的《金門》(2002)、《三位樹朋友》 (2010)、《熱圖地》(2014)等作品,我認為木麻黃觸及金門的生態、地景、社會、人文,每棵木麻黃的生命都與金門居民的生活相融,木麻黃與金門人互連伴生,成為植物無法測量性的另一種面相。
 

 

主辦單位:科技部人文社會科學研究中心、中華民國文學與環境學會
協辦單位:國立台灣師範大學英語系

《中外文學》徵稿啟事

《生物學與(後)人文研究:生命、醫療和環境想像》專輯
專輯主編:馮品佳、蔡振興
預計出刊:2023 6

簡介:

本專輯嘗試從新物質主義、生物學理論、醫學/療和生態論述等視角介入文學研究,重新審視生命、生物、健康、疾病(包括瘟疫、流感和新興病毒感染)的變動與新探究如何帶出(後)人文研究於當代的省思與遞變。論文截稿期限為2022 7 31 ,稿件請逕以電郵寄至《中外文學》信箱:chungwai@ntu.edu.tw相關投稿規定與體例,請參《中外文學》網站

2021/10/15「契心蝶道:探索唯識生態書寫的美學與道德實踐」

中華民國英美文學學會將於10/15(舉辦「契心蝶道:探索唯識生態書寫的美學與道德實踐」線上直播講座。

在《蝶道》裡,吳明益將我們居住的星球想像成一個龐大樂器,演繹出迷幻之音,讓芸芸眾生如癡如醉地生成流轉。

除了抒寫蝴蝶,作家潛心著墨於觀察者的觀探工具、感知器官和感官經驗的描寫。如劉克襄一語道破,《蝶道》不僅探索一隻蝴蝶具體軀殼之外的最大定義,同時 ,它也“啓發我們內外關照、省思,進入肉身心境的流轉。

因此,此魔音也可以是佛教唯識學意義上意識的隱喻。作家在與蝴蝶遭逢之際,也啟動了自身意識的音階,並“轉識成智”地實踐一個非人類中心的多物種美學與道德。

《蝶道》於是乎為我們開闢了一條新的生態書寫路徑。

 

歡迎有興趣的觀眾線上觀看直播,詳細活動資訊如下:

【主講人】張嘉如 (紐約市立大學布魯克林學院現代語言文學系教授)

【主持人】張雅蘭 (國立臺東大學英美語文學系副教授)

【時間】20211015 (下午14:0015:30

【報名網址】https://tinyurl.com/rh8zt7wc

【線上直播連結】https://youtu.be/y0a0mKShr3I

【學會臉書】https://www.facebook.com/EALAtaiwan/

【臉書活動連結】https://www.facebook.com/events/546044516644846

 

指導單位科技部

主辦單位中華民國英美文學學會

*活動資訊日後若有更動,主辦單位保留修改權利,敬請留意學會消息;若有任何疑問,也歡迎來信洽詢~

E-mail: ealataiwan@gmail.com

學會網站http://www.eala.org.tw

Call for Papers:”EcoGothic Asia: Nature, Asia, and the Gothic Imagination”

CALL FOR PAPERS

“EcoGothic Asia: Nature, Asia, and the Gothic Imagination”

Guest Editor: Associate Professor Li-hsin Hsu

Since the emergence of modernity, the perceived eastern emphasis on the harmony between humanity and nature has been profoundly challenged and reshaped by the process of industrialization. Asia as a geo-poetic imaginary and a geo-political locus of both utopic imagination and dystopic anxiety in literature – both non-Asian and Asian – magnifies, problematizes, or sometimes accelerates such a disquieting and polarized projection. The “EcoGothic”, as an interdisciplinary approach that investigates the intersection between the ecological and the Gothic imagination, provides a useful epistemological and methodological tool to rethink how aesthetics, philosophical thoughts and social-cultural or environmental discourses in (or about) the Asian / Pacific region complicate our understanding of human-nonhuman interactions.

We invite submissions for a special issue of SARE to explore the enmeshed human-nonhuman relationship by examining the interconnectedness between the natural, the supernatural or the unnatural, the diseased,  (dis)possessed and contagious bodies – human or nonhuman – the haunted as well as haunting landscapes, and the terrifying or monstrous flora and fauna in literature in or about Asia. We ask how the EcoGothic imagination in (or about) Asia conceptualizes or addresses the notion of human-nature co-existence or the precarious state of human-nonhuman (dis)harmony. How does reading literatures of ecological crises, disasters, or extinctions help us reimagine Asia as a heterogeneous geography, both symbolically and in reality? In an age of the Anthropocene, how are our perceptions of human-nonhuman interactions redefined by the COVID-19 pandemic or other environmental/ecological crises? How does local knowledge address global issues in the environmental humanities from or about this region?

Submissions might consider how recent theories of ecologies, technologies, philosophies or sociologies might renew our ways of reading literature about human-nonhuman interactions in our time. Papers might also consider how the notion of Asia is represented or reconfigured in relation to contemporary events or interdisciplinary approaches and narratives, or how reading environmental works, both Asian and non-Asian, might assist our understanding of the EcoGothic as a multifaceted concept in refreshing directions.

Topics might include, but are not limited to:

Asia and the (un)natural / supernatural

Transcultural / Transpacific Gothic

The Gothic and Orientalism

Gothic gardens and tropical wildlife

Volcanic islands and vengeful oceans

Aliens, monsters, or ghosts / spirits in an Asian context

The inhuman, transhuman, anti-human, more-than-human / posthuman

Apocalyptic / dystopic imagination and the (non)Asian other

Deserted rural areas and haunted urban landscapes

Indigeneity and environmental injustice

Invasive species and regional Gothic

Disorder / excess / transgression in nature

Diseases and extinction

Bodily contagion and dis / trans-figuration

Migration, displacement and (im)mobility

Fear of the nonhuman world and / or the wilderness

Ecological crises and race / gender / class (in)equality

Strange natures and queer ecologies

This SARE special issue invites papers, of between 5000 and 7000 words, that address, but need not be limited to, the above questions.

Abstracts of 200 words (maximum), along with a 50-word author bio, are to be emailed to The Editor, SARE at sare@um.edu.my, with a copy to the Guest Editor at johsu@mail2.nccu.tw, by 15 November 2021.

Decisions will be sent out by 30 November 2021.

The deadline for the submission of full papers is 1 March 2022.  Submissions should be in English and uploaded to the SARE website through the “Make a Submission” portal at https://sare.um.edu.my.

Further submission guidelines can be found on our website.

Publication date: July 2022

If you have any questions related to the special issue, please direct your inquiries to The Editor, SARE at sare@um.edu.my.

【9/17】中興大學【人文前沿國際大師講座】第三場「COVID-19 and the Ecophobic Reflex」

【活動資訊】

主題:COVID-19 and the Ecophobic Reflex

講者:Dr. Simon C. Estok (Sungkyunkwan University, Korea)

主持:Dr. Chia-ju Chang (紐約市立大學布魯克林學院現代語言文學系)

時間:2021917(五)15:00-17:00

連結:meet.google.com/yjf-samv-tdh

臉書:https://www.facebook.com/NCHUxRCHSS/posts/2090006821141891

主辦:國立中興大學人文與社會科學研究中心國立中興大學農業創新發展中心

【9/25】植物生態研讀班-第一場

【活動時間】: 09/25(六)10:00-12:00
【活動地點】:線上進行
【報名網址】:https://forms.gle/wNpFdiZjWpVyyHNP8
※本次活動報名將於09/20截止。
※此次在google meet上進行線上讀書會,將於09/24寄會議連結給報名者。

研讀主題: 生態誌異
主講人:許立欣(國立政治大學英語系副教授)
主持人:梁一萍(國立台灣師範大學英語學系教授)
閱讀文本:  Dark Ecologyby Timothy Morton, 2016 (Introduction and Chapter 1) 
摘要
此講座提議初探西方生態哲學家莫頓(Timothy Morton)於2016年出版的「黑暗生態學」(Dark Ecology)與生態誌異文(Eco Gothic)之間的關聯。莫頓的黑暗生態學提及人類世與大自然之間弔詭非邏輯的關係,將人類世本身即視為一個詭譎的與噩夢式的自然現象。生態誌異則是於近年來西方文學與生態學界興起的學派,主要結合生態與誌異,探究文學中對非人類界之鬼怪奇異想像,以及自然界對人類反撲之類相關主題的呈現。此座談將莫頓黑暗生態學對人類世的闡述,與生態誌異中對人與非人之間環環相扣的互動方式相結合,期待對生態文學的解讀與詮釋,提供一些不同的面向。

 

 

主辦單位:科技部人文社會科學研究中心、中華民國文學與環境學會
協辦單位:國立台灣師範大學英語系